The Golden Ratio

The Golden Ratio is found all over nature, and it is widely recognised as a sign of aesthetic ideal. It appears in the most beautiful flowers and spiral patterns and, most importantly, Christina Milian's face. In case you really wanted to know, it is most accurately expressed as the ratio of one to the square root of five minus one and divided by two (usually expressed as the decimal 0.618, accurate to three decimal places). By drawing a rectangle and then dividing it into a perfect square with a smaller rectangle on the end so that the ratio of the square's edge to the smaller rectangle's edge is equal to the ratio of the whole shape's edge to the square's edge (that is the ratio 1:0.618) then we have what the ancient Greeks used to call the Golden Rectangle. If we draw a rectangle around Christina Milian's mathematically flawless features and divide it at the brow (see Fig. 1) what do we have? Yes, a blatantly Golden Rectangle. This is provable by measuring its dimensions in pixels - the top half of her face is 49 pixels, the lower half 79. By dividing 49 by 79 we arrive at 0.62 which, although inherently inexact given the constraints imposed by measuring in pixels, is still only 0.002 away from 0.618. Therefore the universal ratio of 1:0.618 is still clearly visible, thus providing us with a scientifically quantifiable measure of how universally beautiful Christina's face really is.

The Golden Angle

If a perfect circle has a radius line drawn at zero degrees, then another drawn at 0.618 of the circle's 360 degrees (thus dividing the perimeter of the circle into the Golden Ratio 1:0.618) we end up with two segments, the angle of the smaller being what is known as the Golden Angle, or approximately 137.51 degrees. This can also be seen all over Christina's face (see Fig. 2). From the tip of her softly rounded nose to the edges of her adorable smile, and to the corners of those tiny worlds in her dark eyes, the Golden Angle of 137.5 degrees expresses its perfection in every facet and line of her flawless features.

In Conclusion, Then

In a nutshell, Christina Milian is the ultimate culmination of all of nature's perfection, a collision of all of its love and its fury, the gentle rain and the wild wind, the falling leaves in autumn and the sun, the birth of stars and the violence in their deaths tearing and spreading a last joyous burst of utter release into an infinite and black emptiness so full of all that ever was and ever will be. In her the world has achieved the purpose of its birth and when she leaves all purpose will die with her. Without her the world will simply stop and time will slow down to nothing and life itself will find its conclusion in the gaze and breath of a ravaged winter sky.

And I have just proved it - with science.